The agenda is prepared. The room is not.
An Annual General Meeting can be meticulously planned. The formal business is agreed. The statements are prepared. The questions that can be anticipated have been considered. But the atmosphere of the room cannot be entirely predicted. A shareholder may challenge a decision. A question may become personal. A difficult issue may surface again, despite having been addressed many times before.
The Chair must hold the meeting together while allowing legitimate questions to be heard. The CEO, CFO and other directors may be called upon to explain or defend decisions under scrutiny. And the way they respond matters.
Logeion directs the performance itself.
Private Direction brings the practice of professional theatre rehearsal to senior leaders preparing for consequential live moments. I work with the individuals involved, observing how they communicate, what happens when they're challenged, and how their behaviour affects what the audience receives. Then we rehearse.
The aim is not to control every moment of the meeting. It is to help the people leading it remain authoritative, responsive and able to exercise their judgement when the unexpected happens.
The Chair sets the tone.
The Chair has a particular responsibility at an AGM. They must provide structure, maintain the proceedings and create space for shareholders to be heard. That requires more than simply knowing the agenda. How does the Chair receive a difficult question? What happens when somebody challenges the premise of an answer?
How do they acknowledge a legitimate concern without allowing the meeting to lose direction? When should they intervene? And when is it better to remain silent? Sometimes an authoritative Chair needs to become less formal. Sometimes a little warmth can transform the atmosphere. Sometimes a pause communicates that a question has been taken seriously.
And sometimes the room needs somebody who can bring a discussion to a close with clarity and courtesy. There is no single correct manner of chairing a meeting. The direction depends on the individual, the shareholders and the circumstances.
The questions you hope nobody asks.
A prepared answer is not necessarily a convincing answer. The content may be entirely correct, but the way it is delivered can undermine it. A shareholder challenges executive remuneration. The relevant director knows the figures and the company's reasoning. But what happens before they speak? Do they pause to consider the question?
Do they acknowledge the concern? Or do they begin defending the decision before the shareholder has finished? These are the moments I watch. We rehearse the questions you expect and those you would rather not receive. We work on how the question is heard, how the answer begins and what happens when the person asking it is dissatisfied.
We may introduce interruptions, follow-up questions or changes in the atmosphere. The objective is not to manufacture an answer that will satisfy everybody. Nor is it to avoid difficult questions. It is to develop the ability to respond with clarity, honesty and composure when the situation becomes uncomfortable.
Sometimes the most important part of an answer happens before the first word.
Rehearsal changes what is available to you.
There is a difference between knowing how you intend to respond and being able to respond that way under pressure. That is why we rehearse. We begin with the actual material and the circumstances of the meeting. You perform it. I watch. We discuss what happened, make an adjustment and try again. Sometimes the change is immediate. Sometimes we need to try several approaches before discovering what works.
Mistakes are encouraged. A rehearsal room is somewhere an approach can fail without consequence. That failure tells us something useful. I generally prefer to work across several sessions, allowing time between rehearsals for the individual to practise, absorb the direction and return. I can then see what has changed, what has become more natural and where further work is required.
As the AGM approaches, we bring the different elements together and introduce more demanding conditions. The intention is not to make the performance rigid. Quite the opposite. The better the preparation, the more freedom the individual has to respond to what actually happens.
Preparing for rehearsal
For Chairs, CEOs, CFOs and board members preparing to lead an Annual General Meeting. Rehearsal addresses prepared statements, shareholder questions, interventions and the way responsibility moves between speakers. Bring the agenda, current statements and anticipated shareholder questions, together with the agreed responsibilities of each speaker. The meeting’s format and likely points of challenge inform the work. The company and its advisers retain responsibility for procedure, disclosure and the substance of the answers.
Frequently asked questions
How far in advance should we begin?
Where possible, I recommend several rehearsals over the weeks leading up to the AGM. This allows time for individuals to absorb direction, practise independently and return for further work. Focused engagements may also be possible closer to the event.
Do you work with the entire board?
Where appropriate, yes. Some engagements concentrate on the Chair, CEO or CFO. Others involve several speakers whose individual performances and interactions need attention. We establish the appropriate scope before beginning.
Can you help prepare for difficult shareholder questions?
Yes. I work on how questions are received and answered, including the speaker's behaviour, rhythm, tone and ability to remain responsive under pressure. The company and its advisers remain responsible for the substance and regulatory appropriateness of the answers.
Preparation should extend beyond the agenda.
An AGM is an opportunity for shareholders to question the people responsible for the company. The answers matter. So does the way those answers are given. Private Direction prepares the people leading the meeting to remain responsive, authoritative and clear, even when the circumstances become difficult.
If you have an AGM approaching, I would welcome a conversation about how Private Direction might contribute to its preparation.
Discuss an upcoming AGMAll enquiries are handled discreetly.
Since 2014, I have run professional theatre rehearsals, worked one-to-one with accomplished performers and directed the changes that make a performance work.
The Director’s Eye